Blog Archives
Back in the Stacks: 1992
Since it feels like summer was decades ago, we took a look at summer decades ago; a sampling of our periodicals. It was hot. Once upon a time.
Open the The New Yorker, what’s the first thing you see? The New Yorker, June 1992.
Rappers in recovery. Alan Light, “L.A. Rappers Speak Out.” Rolling Stone, June 25, 1992.
Still maybe an issue. Mad, June 1992.
Walter De Maria and El Greco in Stockholm’s Moderna Museet, from “All Fives, Sevens, and Nines,” by Lars Nittve. Artforum, Summer 1992.
Mad, June 1992.
Danny Tisdale, Lynching 1930. From “Engendered Species,” by Kobena Mercer. Artforum, Summer 1992
“On the Road to Kassel,” Artforum, Summer 1992.
The hits. Rolling Stone, June 25, 1992.
Novum, June 1992.
More car ads featuring cops. Vanity Fair, June 1992.
Before mixology. Rolling Stone, June 25, 1992.
From an interview with George Condo, by Anney Bonney. Bomb, Summer 1992.
Vogue, June 1992.
Be thankful for lasers. Vogue, June 1992.
Checking up on the crooks. Annie Leibovitz, “Watergate.” Vanity Fair, June 1992.
Before Bill did it. Julia Reed, “Clinton on the Brink.” Vogue, June 1992.
“Documenting Documenta.” Interview, June 1992.
Fashion fish. Vogue, June 1992.
It doesn’t stop. Interview, June 1992.
And no one is pretending. Interview, June 1992.
Religion. Vanity Fair, June 1992.
From John Ashbery’s “Baked Alaska.” The New Yorker, June 29, 1992.
Scanlan’s Monthly
Scanlan’s Monthly
Volume One Number One (March 1970)
The tiny American flag and big six-figure check on the first-issue cover proclaim their audacity. No kneeling to sacred cows, least of all advertising.
Warren Hinckle came from Ramparts, which published Che Guevara, Fidel Castro and Eldridge Cleaver. Sidney Zion wrote for most of the New York publications you’ve heard of, and was the one who revealed the name of the guy who leaked the Pentagon Papers.
Together their monthly ran eight issues.
The first, in our rare periodicals archive, pretends ads don’t exist, favors the extended narrative, and pushes against journalistic hypocrisy. There’s a report offering Altamont as a refutation of Woodstock, an assertion of the normalcy of atrocity in Vietnam, a tale of CBS-CIA collusion in Haiti, the American- and British-made disaster of Biafra, Mark Twain’s radicality, high school activist thought, mobster biography, and a ski champ-turned-salesman profile by Hunter S. Thompson, whose gonzo paradigm, “The Kentucky Derby is Decadent and Depraved,” debuted in Scanlan’s third issue. Their last was boycotted by U.S. printers for covering domestic guerilla warfare.
“We will make no high-blown promises about how great this magazine is going to be,” Hinckle and Zion wrote on the cover. “Pay the buck and turn the page.”
Hunter S. Thompson, “The Temptations of Jean-Claude Killy”
Sol Stern, “Altamont: The Woodstock Nation’s Pearl Harbor”
Richard Severo, “The Lost Tribe of Alabama”
Ben Hecht, “The Unfinished Life of Mickey Cohen”
James D. Henry, “The Men of “B” Company”
Mark Libarle, “Another Generation Gap”
Joseph Kahn, “Dirty Kitchens of New York”
Maxwell Geismar, “Mark Twain and the Robber Barons”
SVA Library Picture & Periodicals Collections 