Category Archives: Art (Periodicals)

Bidoun

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Bidoun
v.1:no.1(2004:summer) &

v.1:no.7(2006)- present

In Issue 14: Objects, Sophia Al-Maria writes through her newborn cousin’s Allah-shaped ear into the shimmer of sign, symbol and story, the difference that dissolves into image or mirage, distance that folds and enfolds, the mutable mystery of letters and language. The vectors, the reach of the issue (see sample TOC below) make it a worthy spot to begin to get lost, art’s challenge accepted, a labyrinth of the unshelved. Bidoun means ‘without’ in Arabic and Farsi and its push against the meaning of ‘Middle East’ is a breathing thing that flees easy grasp.

Issue 13: Glory

Issue 13: Glory, cover by Babak Radboy

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Safya, Issue 25

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Issue 1: We Are Spatial

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Issue 16: Kids

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“Hand Baggage Control,” Issue 1: We Are Spatial

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Issue 23: Squares

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Issue 1: We Are Spatial

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Issue 26: Soft Power

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Issue 12: Projects

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Issue 14: Objects

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Hicham Benohoud, “La Salle de Classe,” Issue 14: Objects

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Lisa Farjam, “Sweet Sixteen,” Issue 16: Kids

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Roman Ondak, “Sated Table,” Issue 14: Objects

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Negar Azimi, “Brown Girl in the Ring,” Issue 18: Interviews

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Trisha Donnelly, “Untitled,” Issue 14: Objects

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Issue 22: Library

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Issue 22: Library

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Sophia Al-Maria, “Tone Poem,” with photos by Adrian Gaut, Issue 19: Noise

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Issue 1: We Are Spatial

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Issue 25

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Issue 26: Soft Power

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Wedge

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We have 2 issues of Wedge, no.1(1982:summer) and no.2(1982:fall). The 10 numbers published between 1982 and 1988 represent the entire run. Some issues were published in combined form; no issues were published for fall 1983, spring 1984-fall 1984, summer 1985-1987. They have the following subject headings in our catalog, the links for which you can follow to other material in our catalog with the same assigned subject heading:

Art, Modern–20th century–Periodicals.
Avant-garde (Aesthetics)–History–20th century–Periodicals.
Art, Modern.
Avant-garde (Aesthetics)

Each issue had a distinct title. You can see the title for number 1 below. Number 2 was called The Spectacle.  

The First Issue of Wedge was dedicated to the poet James Laughlin.

The First Issue of Wedge was dedicated to the poet James Laughlin.

 

Cover, n. 2 fall 1982

Back Cover, n. 2 fall 1982

Back Cover, n. 2 fall 1982

masthead n. 2

 

The content includes interviews with visual artists, writers, and filmmakers, as well as essays on various art forms. They also published poetry and various writings, such as “The Thomas Crown Affair” in which Richard Prince chronicles what he did instead of going to work (which included going to the Orleans Theater to watch porno movies and a Howard Johnson’s for a meal).  Below are the table of content pages.

Table of Contents, n. 2.

Table of Contents, n. 2.

Table of Contents, no. 1.

Table of Contents, n. 1.

And as a last enticement, here is an insert called the License Action by the Guerrilla Art Action Group from issue no. 1. These are business card sized and all came in a tiny envelope.

License  Action by the Guerilla Art Action Group

It is a highly entertaining read/browse that provides a snapshot of the early 1980’s art world.

 

Umbrella’s Art Crimes

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Umbrella
1983-2005 (incomplete)
umbrellaeditions.com

Librarian Judith Hoffberg created Umbrella in 1978 as “a means of intercommunication for art historians, artists, librarians and anyone else who is interested” in “news and information relative to a part of art history that usually never gets discussed in the mainstream.” This meant artist books and mail art, mostly, but the journal’s blue and black pages were open to more.

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Eric Drooker, L, December 1990

In the listings section of each issue is the heading Lost and Found, under which went news briefs related to artistic heists and recoveries. Below is a sampling of the reach of art’s underworld.

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October 1983

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December 1990

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December 1998

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August 2004

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December 2005

Umbrella ran in print to 2005 and then online until 2008. Hoffberg passed away in 2009.

Find our incomplete collection (30+ issues) of the irregular journal in Periodicals.

The Sienese Shredder

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The Sienese Shredder
nos 1-4; 2006-2010
www.sienese-shredder.com

The Sienese Shredder #1 has a mango cover with a fox and a clock. Inside, right off the bat, is History and Truth (a commencement address), followed by Gérard de Nerval’s Chantilly (“filled with very old retired servants, walking their limping dogs”), postcard collages by John Ashbery, music by Alan Shockley, the marketing of surrealism, Ron Padgett, Harry Mathews, A Parliament of Refrigerator Magnets, delirious episodes in contemporary art, a poem played out through a lyrical Twister, a Duchampian chess challenge bearing a cupid, Honey’s Metaphoric Energy Transfer, The New Crustacean, and more, ending after over 200 pages with J-K Huysmans, of Against Nature, in Haarlem.

Flip through the next three and find currency collages, mute critics, bughouse poets, Whitman’s glasses, Toilet Rolls, Macintoshages, octopussarian impulses, de Kooning’s last drawing, epitaphs by William Beckford, eyeballs, giant-size mini books, spools by Crumb, and Jesus Christ. These aren’t even the highlights.

Founded and edited by Brice Brown and Trevor Winkfield, The Shredder ran for four issues, 2006-2010. Each issue contained an audio CD. “Contents can include writings by visual artists; art by writers; poets as installation artists; photographers as poets, and the range of contributors moves from the well-known and up-and-coming to the unknown or forgotten,” says the website (which has excerpts and issues for sale).

The complete series is available in our Periodicals archive.

 

 

Shirley Jaffe, Paintings (Issue #1)

Shirley Jaffe, Paintings (Issue #1)

 

Raphael Rubinstein, In Search of the Miraculous: 50 Episodes from the Annals of Contemporary Art (Issue#1)

Raphael Rubinstein, In Search of the Miraculous: 50 Episodes from the Annals of Contemporary Art (Issue#1)

 

Jane Hammond, Paintings (Issue #1)

Jane Hammond, Paintings (Issue #1)

 

Ron Morosan, Louis Eilshemius Drawings (Issue #1)

Ron Morosan, Louis Eilshemius Drawings (Issue #1)

 

John Graham, The Case of Mr. Picasso (Issue #3)

John Graham, The Case of Mr. Picasso (Issue #3)

 

Larry Rivers, Poems and Drawings from the 1950s (Issue #3)

Larry Rivers, Poems and Drawings from the 1950s (Issue #3)

 

 

Heresies

Heresies: A Feminist Publication on Art and Politics ran independently from 1977 to 1993. Each issue focused on a different topic such as food, theater, or ecology. Between the covers you’ll find photography, film stills, sculptures, paintings, poems, prose, memoirs, collage, and documentations of performance art. Contributors included Harmony Hammond, Ida Applebroog, May Stevens, Mary Beth Edelson, Sally Webster, and Amy Sillman.

Here is the homepage for the 2009 documentary on Heresies called “The Heretics”, directed by Joan Braderman. The site includes an index to the articles.

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We have 24 of the 27 issues of Heresies in our back stacks. Come explore them.

Feminism and Ecology

Heresies, Vol. 4, No. 1, Issue 13. 1981.
Cover, Back cover.

Pie Face

Heresies, Vol. 6, No. 1, Issue 21. 1987.

Food is a Feminist Issue

Heresies, Vol. 6, No. 1, Issue 21. 1987.
Cover, Back cover.

The Women's Pages

Heresies, Vol. 4, No. 2, Issue 14. 1982.
Cover, Back cover.

Sex Issue

Heresies, Vol. 3, No. 4, Issue 12. 1981.
Cover, Back cover.

Portrait of an Office

Heresies, Vol. 2, No. 3, Issue 7. Spring 1979.
From the article “Portrait of an Office” by Margaret Willey

Female and Male Body Language

Heresies, Vol. 2, No. 3, Issue 7. Spring 1979.

Heresies

Heresies, Vol. 7, No. 3, Issue 27. 1993.

issue 23s

Heresies, Vol. 6, No. 3, Issue 23. 1988.
“Baby Contest” by Annette Savitski

Women in Theater and Performance

Heresies, Vol. 5, No. 1, Issue 17. 1984.
Feminist Theatrical Performances

Sex Issue

Heresies, Vol. 3, No. 4, Issue 12. 1981.
Jersey Shore Women’s Wrestling Club

Post-Totalitarian Criticism

Heresies, Vol. 7, No. 2, Issue 26. 1992.
Maria Serebriakova, untitled collage, 1989.

Russian Billboard

Heresies, Vol. 7, No. 2, Issue 26. 1992.
Russian Billboard

Kristin Reed

Heresies, Vol. 7, No. 1, Issue 25. 1990.
“Predominant Ideology” by Kristin Reed, 1988. Krylon, xerox, gouache, chalk. 12″x14″.

Heresies, Vol. 1, No. 3, Issue 3. Fall 1977.
Betsy Dam, The 7000 Year Old Woman. Performance #2, a street event, fully clothed. Photo by Su Friedrich.

Food is a Feminist Issue

Heresies, Vol. 6, No. 1, Issue 21. 1987.

Judith Ren-Lay as "Ivy Mouse"

Heresies, Vol. 5, No. 1, Issue 17. 1984.
Judith Ren-Lay as “Ivy Mouse”

Heresies

Heresies, Vol. 2, No. 3, Issue 17. Spring 1979.

Carol Harmel.

Heresies, Vol. 3, No. 4, Issue 12. 1981.
Photo by Carol Harmel.

Heresies

Heresies, Vol. 1, No. 3, Issue 3. 1977.

Sandra Desando

Heresies, Vol. 1, No. 3, Issue 3. Fall 1977.
Sandra Desando

"No Longer Afraid" by Susan Spencer Cole

Heresies, Vol. 6, No. 3, Issue 23. Fall 1988.
“No Longer Afraid” by Susan Spencer Cole

Installation and Set for "Private Places" by Vernita Nemec

Heresies, Vol. 6, No. 3, Issue 23. Fall 1988.
Installation and Set for “Private Places” by Vernita Nemec

"T.V." by marina Gutierrez

Heresies, Vol. 5, No. 1, Issue 17. 1984.
“T.V.” by Marina Gutierrez, 1979, Monoprint/Color Etching

"The Rat Patrol" by Christy Rupp

Heresies, Vol. 4, No. 1, Issue 13. 1981.
“The Rat Patrol” by Christy Rupp, 1979