Blog Archives

Back in the Stacks: 1992

Since it feels like summer was decades ago, we took a look at summer decades ago; a sampling of our periodicals. It was hot. Once upon a time.

1992_4

Open the The New Yorker, what’s the first thing you see? The New Yorker, June 1992.

1992_17

Rappers in recovery. Alan Light, “L.A. Rappers Speak Out.” Rolling Stone, June 25, 1992.

1992_2

Still maybe an issue. Mad, June 1992.

1992_21

Walter De Maria and El Greco in Stockholm’s Moderna Museet, from “All Fives, Sevens, and Nines,” by Lars Nittve. Artforum, Summer 1992.

1992_1

Mad, June 1992.

1992_22

Danny Tisdale, Lynching 1930. From “Engendered Species,” by Kobena Mercer. Artforum, Summer 1992

1992_23

“On the Road to Kassel,” Artforum, Summer 1992.

1992_18

The hits. Rolling Stone, June 25, 1992.

1992_3

Novum, June 1992.

1992_11

More car ads featuring cops. Vanity Fair, June 1992.

1992_19

Before mixology. Rolling Stone, June 25, 1992.

1992_16

From an interview with George Condo, by Anney Bonney. Bomb, Summer 1992.

1992_12

Vogue, June 1992.

1992_14

Be thankful for lasers. Vogue, June 1992.

1992_9

Checking up on the crooks. Annie Leibovitz, “Watergate.” Vanity Fair, June 1992.

1992_15

Before Bill did it. Julia Reed, “Clinton on the Brink.” Vogue, June 1992.

1992_6

“Documenting Documenta.” Interview, June 1992.

1992_13

Fashion fish. Vogue, June 1992.

1992_7

It doesn’t stop. Interview, June 1992.

1992_8

And no one is pretending. Interview, June 1992.

1992_10

Religion. Vanity Fair, June 1992.

1992_5

From John Ashbery’s “Baked Alaska.” The New Yorker, June 29, 1992.

Advertisements

Nest : a magazine of interiors

scan_016

Nest
Fall 1998-Fall 2004

In the Winter 1999-2000 issue of Nest, architect and urban theorist Rem Koolhaas wrote in critical appreciation:

Nest goes for the jugular of the secretive. Sometimes the intimacies revealed are almost voyeuristically painful. It is significant that in the era of celebrity and the relentless confessional, the glimpses of previously hidden lives that Nest reveals are shocking in their acute, slightly obscene quality. They show the extent of editing, pruning and laundering that the professional press of revelation performs before launching its “surprises” for the public. By insisting on the intricacies of private life Nest reveals the complete flattening of the public at the end of the 20th century.”

Founding editor Joseph Holtzman “believed that an igloo, a prison cell or a child’s attic room (adorned with Farrah Fawcett posters) could be as compelling as a room by a famous designer” (NYT). His relentless magazine ran for 26 issues. The SVA Library has all but the first issues (donations encouraged).

These scans don’t do its vibrancy justice.

fall 98 igloo

Igloos, Fall 1998

fall 98 house

“This building is my memory,” Fall 1998

fall 98 cell

A Room of One’s Own, Fall 1998

wntr 2000

Philip Apagya’s Portrait Studio, Winter 1999-2000

wntr 01-02 witness

Final Nest: Death Chambers, Winter 2001-2002

wntr 01-02 l harris

Les Harris, Winter 2001-2002

summer2001

Object Lesson, Summer 2000 (inside the home of Warhol’s longtime manager Fred Hughes, whose bedridden baldspot is featured in the foreground)

summer01 3

Palace of Living Art, Summer 2000 (Van Gogh in wax)

sprng 04

Divine Providence, Spring 2004 (“recent design trends at Rhode Island School of Design”)

And if beautifully published periodicals on realistic interior design (i.e. not Architectural Digest–which we also have) is your thing, have a look at Spain based Apartemento .