Blog Archives

Album

spines

Album

February 1970-January 1971
(12 issues; missing #4 & #8)

Album was published in London from 1970 to 1971. Its editor was Bill Jay.

It was a magazine of photography’s incursions.

Every page is black and white. No ornament, austere blocks of text. The effect is like drawing a curtain, or dimming the lights in a theater, only without the direction dictated by film, leaving you free to wander.

There are no advertisements.

Its concern was the actuality of practice. Old essays followed new talents in a critical space where “art photography” was as ludicrous a term as “art painting,” and what appears easy and available as a technology is, like any artistic practice, much more fugitive and essential.

 

album6

Duane Michals, Issue #7

 

album9

Issue #1

album8

from “On Being a Radical Photographer,” an interview with Blankfort, Issue #1

 

album3

W. Eugene Smith, “Black Man’s Battleground,” Issue #2

 

album2

from Issue #2

 

album1

W. Eugene Smith, “Mailbox,” Ku Klux Klan series, Issue #2

 

album4

from Press Cuttings, Issue #2

 

 

album7

from Quotes, Issue #1

 

 

album11

Gordon Bennett, “San Francisco,” Issue #11

 

album10

from Opinions, Issue #1

 

albumxx

Bill Brandt, “Friar’s Bay,” Issue #1

 

album12

from Opinions, Issue #7

album13

Manuel Alvarez Bravo, “Luz restrida,” Issue #9

 

album14

from John Thomson’s “Illustrations of China and its People,” Issue #9

 

album5

George N. Barnard, official photographer to Sherman’s Campaign, Issue #7

 

album15

Harvey Himelfarb, from the Visual Dialogue Foundation portfolio, “Premonitions of a Tyranny of Culture,” Issue #10

Advertisements

Heresies

Heresies: A Feminist Publication on Art and Politics ran independently from 1977 to 1993. Each issue focused on a different topic such as food, theater, or ecology. Between the covers you’ll find photography, film stills, sculptures, paintings, poems, prose, memoirs, collage, and documentations of performance art. Contributors included Harmony Hammond, Ida Applebroog, May Stevens, Mary Beth Edelson, Sally Webster, and Amy Sillman.

Here is the homepage for the 2009 documentary on Heresies called “The Heretics”, directed by Joan Braderman. The site includes an index to the articles.

spines
We have 24 of the 27 issues of Heresies in our back stacks. Come explore them.

Feminism and Ecology

Heresies, Vol. 4, No. 1, Issue 13. 1981.
Cover, Back cover.

Pie Face

Heresies, Vol. 6, No. 1, Issue 21. 1987.

Food is a Feminist Issue

Heresies, Vol. 6, No. 1, Issue 21. 1987.
Cover, Back cover.

The Women's Pages

Heresies, Vol. 4, No. 2, Issue 14. 1982.
Cover, Back cover.

Sex Issue

Heresies, Vol. 3, No. 4, Issue 12. 1981.
Cover, Back cover.

Portrait of an Office

Heresies, Vol. 2, No. 3, Issue 7. Spring 1979.
From the article “Portrait of an Office” by Margaret Willey

Female and Male Body Language

Heresies, Vol. 2, No. 3, Issue 7. Spring 1979.

Heresies

Heresies, Vol. 7, No. 3, Issue 27. 1993.

issue 23s

Heresies, Vol. 6, No. 3, Issue 23. 1988.
“Baby Contest” by Annette Savitski

Women in Theater and Performance

Heresies, Vol. 5, No. 1, Issue 17. 1984.
Feminist Theatrical Performances

Sex Issue

Heresies, Vol. 3, No. 4, Issue 12. 1981.
Jersey Shore Women’s Wrestling Club

Post-Totalitarian Criticism

Heresies, Vol. 7, No. 2, Issue 26. 1992.
Maria Serebriakova, untitled collage, 1989.

Russian Billboard

Heresies, Vol. 7, No. 2, Issue 26. 1992.
Russian Billboard

Kristin Reed

Heresies, Vol. 7, No. 1, Issue 25. 1990.
“Predominant Ideology” by Kristin Reed, 1988. Krylon, xerox, gouache, chalk. 12″x14″.

Heresies, Vol. 1, No. 3, Issue 3. Fall 1977.
Betsy Dam, The 7000 Year Old Woman. Performance #2, a street event, fully clothed. Photo by Su Friedrich.

Food is a Feminist Issue

Heresies, Vol. 6, No. 1, Issue 21. 1987.

Judith Ren-Lay as "Ivy Mouse"

Heresies, Vol. 5, No. 1, Issue 17. 1984.
Judith Ren-Lay as “Ivy Mouse”

Heresies

Heresies, Vol. 2, No. 3, Issue 17. Spring 1979.

Carol Harmel.

Heresies, Vol. 3, No. 4, Issue 12. 1981.
Photo by Carol Harmel.

Heresies

Heresies, Vol. 1, No. 3, Issue 3. 1977.

Sandra Desando

Heresies, Vol. 1, No. 3, Issue 3. Fall 1977.
Sandra Desando

"No Longer Afraid" by Susan Spencer Cole

Heresies, Vol. 6, No. 3, Issue 23. Fall 1988.
“No Longer Afraid” by Susan Spencer Cole

Installation and Set for "Private Places" by Vernita Nemec

Heresies, Vol. 6, No. 3, Issue 23. Fall 1988.
Installation and Set for “Private Places” by Vernita Nemec

"T.V." by marina Gutierrez

Heresies, Vol. 5, No. 1, Issue 17. 1984.
“T.V.” by Marina Gutierrez, 1979, Monoprint/Color Etching

"The Rat Patrol" by Christy Rupp

Heresies, Vol. 4, No. 1, Issue 13. 1981.
“The Rat Patrol” by Christy Rupp, 1979

Strapazin

First launched in 1984, Strapazin is a Swiss-based, German language comics magazine focused on the underground and independent scenes. The aesthetic of the work selected is often defined by expressive, gestural drawings filled with motion and  energy. Notable Strapazin contributors include SVA’s own Gary Panter and David Sandlin, as well as  Daniel Johnston, Le Dernier Cri and Julie Doucet.


spines

The SVA library has 25 issues of Strapazin from June 1994 through the current issue.

Strapazin, No. 106. March 2012.

Strapazin, No. 106. March 2012.
Cover by Sharmila Banerjee

Strapazin, No. 76.

Gary Panter
Strapazin, No. 76.

Strapazin, No. 76.

Gary Panter
Strapazin, No. 76.

Strapazin, No. 53. December 1998.

Gary Panter
Strapazin, No. 53. December 1998.

Strapazin, No. 53. December 1998.

Gary Panter
Strapazin, No. 53. December 1998.

Strapazin, No. 95. June 2009.

Daniel Johnston
Strapazin, No. 95. June 2009.

Strapazin, No. 95. June 2009.

Daniel Johnston
Strapazin, No. 95. June 2009.

Strapazin, No. 95. June 2009.

Daniel Johnston
Strapazin, No. 95. June 2009.

Strapazin, No. 93. December 2008.

David Sandlin
Strapazin, No. 93. December 2008.

Strapazin, No. 93. December 2008.

David Sandlin
Strapazin, No. 93. December 2008.

Strapazin, No. 39. June 1995.

Strapazin, No. 39. June 1995.

Strapazin, No. 103. June 2011.

Helge Reumann & Xavier Robel
Strapazin, No. 103. June 2011.

 

Strapazin, No. 53. December 1998.

Le Dernier Cri
Strapazin, No. 53. December 1998.

Strapazin, No. 53. December 1998.

Le Dernier Cri
Strapazin, No. 53. December 1998.

Strapazin, No. 53. December 1998.

Luca Schenardi
Strapazin, No. 53. December 1998.

Strapazin, No. 53. December 1998.

Luca Schenardi
Strapazin, No. 53. December 1998.

Strapazin, No. 53. December 1998.

Luca Schenardi
Strapazin, No. 53. December 1998.

Hans Scharer

Hans Scharer
Strapazin, No. 53. December 1998.

 

Strapazin Special Issue; Bubbles, Boxes & Beyond. 2000.

Julie Douect
Strapazin Special Issue; Bubbles, Boxes & Beyond. 2000.

Julie Doucet

Julie Doucet
Strapazin Special Issue; Bubbles, Boxes & Beyond. 2000.

Julie Doucet

Julie Doucet
Strapazin Special Issue; Bubbles, Boxes & Beyond. 2000.

Julie Doucet

Julie Doucet
Strapazin Special Issue; Bubbles, Boxes & Beyond. 2000.

 

Photo by Taiyo Onorato & Nico Krebs

Strapazin, No. 53. December 1998.
Photo by Taiyo Onorato & Nico Krebs

 

Strapazin, No. 107. June 2012.

Patrick Savolainen
Strapazin, No. 107. June 2012.

Strapazin, No. 100. September 2010.

Xiang Ya Ta
Strapazin, No. 100. September 2010.

Strapazin, No. 109. December 2012.

Yuichi Yokoyama.
Strapazin, No. 109. December 2012.

Strapazin, No. 100. September 2010.

Yan Cong
Strapazin, No. 100. September 2010.

Strapazin, No. 104. September 2011.

Christina Gransow
Strapazin, No. 104. September 2011.

Strapazin, No. 104. September 2011.

Ludmilla Bartscht
Strapazin, No. 104. September 2011.

Nine Antico

Nine Antico
Strapazin, No. 104. September 2011.

Nine Antico

Nine Antico
Strapazin, No. 104. September 2011.

 

Magazine Covers – 1970-1979 (Part 3 – Art) +++

+++ See Pictures +++

Please enjoy this sopping sampling of sweet and sour color from 1970’s art magazines.

Art News was founded in 1902 and is the most widely circulated art magazine in the world.

ArtNews. April 1972.

ArtNews. April 1972.
“Sweet and Sour” by Ed Ruscha.
(Strawberries, peppers, olives, peaches, anchovies, pickles, washes of jam juice.)

Art International was based in Switzerland and ran from 1956-1984.

Art International, Volume XXI. March 1978.

Art International, Volume XXI. March 1978.
Art by Pierre Alechinsky.

Novum Gebrauchsgraphik, now called Novum, is an international graphic design magazine based in Germany.

Novum Gebrauchs Graphic. February 1977.

Novum Gebrauchs Graphic. February 1977.
African Hairdresser’s Sign (Unknown Artist).

Art International, Volum XXII. February 1978.

Art International, Volume XXII. February 1978.
Art by Richard P. Lohse.

Art International, Volume XX/3-4. March/April 1976.

Art International, Volume XX/3-4. March/April 1976.
Art by Alun Leach-Jones.

Avante Garde had a short run of only 14 issues between 1968 to 1971.

Avante Garde. January 1970.

Avante Garde. January 1970.
Art by Thomas Weiil

Connoisseur is a publication of self-proclaimed high-brow culture and art:

Connoisseur. April 1976.

Connoisseur. April 1976.

ArtForum is a contemporary art magazine.

ArtForum. 1971.

ArtForum. 1971.
Still from “Tom, Tom, the Piper’s Son” (1969).

Leaves

Leaves is a 36-image folder depicting the botanical beauty of leaves through photography, advertisements and illustration. The wide range of leaves in this folder make it one of the many in the Visual Arts Picture Collection that can be a helpful aid in drawing reference.

3022_001

Fortune Magazine, November 1949

3023_001

3024_001

Photographer: George Tice

3025_001

3026_001

Modern Maturity Magazine, October-November 1967

3027_001

3028_001

3029_001

3029_002

Photographer: Alfred T. Palmer, National Geographic Magazine

3031_001

3032_001