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Heresies

Heresies: A Feminist Publication on Art and Politics ran independently from 1977 to 1993. Each issue focused on a different topic such as food, theater, or ecology. Between the covers you’ll find photography, film stills, sculptures, paintings, poems, prose, memoirs, collage, and documentations of performance art. Contributors included Harmony Hammond, Ida Applebroog, May Stevens, Mary Beth Edelson, Sally Webster, and Amy Sillman.

Here is the homepage for the 2009 documentary on Heresies called “The Heretics”, directed by Joan Braderman. The site includes an index to the articles.

spines
We have 24 of the 27 issues of Heresies in our back stacks. Come explore them.

Feminism and Ecology

Heresies, Vol. 4, No. 1, Issue 13. 1981.
Cover, Back cover.

Pie Face

Heresies, Vol. 6, No. 1, Issue 21. 1987.

Food is a Feminist Issue

Heresies, Vol. 6, No. 1, Issue 21. 1987.
Cover, Back cover.

The Women's Pages

Heresies, Vol. 4, No. 2, Issue 14. 1982.
Cover, Back cover.

Sex Issue

Heresies, Vol. 3, No. 4, Issue 12. 1981.
Cover, Back cover.

Portrait of an Office

Heresies, Vol. 2, No. 3, Issue 7. Spring 1979.
From the article “Portrait of an Office” by Margaret Willey

Female and Male Body Language

Heresies, Vol. 2, No. 3, Issue 7. Spring 1979.

Heresies

Heresies, Vol. 7, No. 3, Issue 27. 1993.

issue 23s

Heresies, Vol. 6, No. 3, Issue 23. 1988.
“Baby Contest” by Annette Savitski

Women in Theater and Performance

Heresies, Vol. 5, No. 1, Issue 17. 1984.
Feminist Theatrical Performances

Sex Issue

Heresies, Vol. 3, No. 4, Issue 12. 1981.
Jersey Shore Women’s Wrestling Club

Post-Totalitarian Criticism

Heresies, Vol. 7, No. 2, Issue 26. 1992.
Maria Serebriakova, untitled collage, 1989.

Russian Billboard

Heresies, Vol. 7, No. 2, Issue 26. 1992.
Russian Billboard

Kristin Reed

Heresies, Vol. 7, No. 1, Issue 25. 1990.
“Predominant Ideology” by Kristin Reed, 1988. Krylon, xerox, gouache, chalk. 12″x14″.

Heresies, Vol. 1, No. 3, Issue 3. Fall 1977.
Betsy Dam, The 7000 Year Old Woman. Performance #2, a street event, fully clothed. Photo by Su Friedrich.

Food is a Feminist Issue

Heresies, Vol. 6, No. 1, Issue 21. 1987.

Judith Ren-Lay as "Ivy Mouse"

Heresies, Vol. 5, No. 1, Issue 17. 1984.
Judith Ren-Lay as “Ivy Mouse”

Heresies

Heresies, Vol. 2, No. 3, Issue 17. Spring 1979.

Carol Harmel.

Heresies, Vol. 3, No. 4, Issue 12. 1981.
Photo by Carol Harmel.

Heresies

Heresies, Vol. 1, No. 3, Issue 3. 1977.

Sandra Desando

Heresies, Vol. 1, No. 3, Issue 3. Fall 1977.
Sandra Desando

"No Longer Afraid" by Susan Spencer Cole

Heresies, Vol. 6, No. 3, Issue 23. Fall 1988.
“No Longer Afraid” by Susan Spencer Cole

Installation and Set for "Private Places" by Vernita Nemec

Heresies, Vol. 6, No. 3, Issue 23. Fall 1988.
Installation and Set for “Private Places” by Vernita Nemec

"T.V." by marina Gutierrez

Heresies, Vol. 5, No. 1, Issue 17. 1984.
“T.V.” by Marina Gutierrez, 1979, Monoprint/Color Etching

"The Rat Patrol" by Christy Rupp

Heresies, Vol. 4, No. 1, Issue 13. 1981.
“The Rat Patrol” by Christy Rupp, 1979

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FiberArts

FiberArts  features contemporary artists who work with fabric, weaving, sewing, dyes, textiles, embroidery, crochet, knitting, needlework and soft sculpture in order to produce works that boast both fine craftsmanship and fine art. Although expression and decoration with textiles is ancient, it was only fairly recently accepted in the fine arts world. The fibers revolution of the 1960’s led to a huge number of artists, both men and women, exploring and experimenting in a medium which was once labeled “women’s work” or pushed aside from the arts scene as mere craft.

FiberArts Spines

In the library you will find 122 Issues of FiberArts  from 1979 to the Summer 2011 issue, which was sadly the last.

FiberArts. March/April 1989.
“Dinner” by Joan Ward Summer. 1985. Wool, tapestry.

FiberArts. January/February 1982.
“Rhythm” by Jarmila Machova.

FiberArts. Summer 1990.
“The Street Story Quilt Part 1: The Accident” by Faith Ringgold. 1985.

FiberArts. March/April 1989.
Masking Costume of the Igbo People, Nigeria.

FiberArts. Summer 1990.
“Animated Power” (1987) and “The Harvest” (1989) by Tina Brewer.

FiberArts. November/December 1988.
Left: “Hanging Gardens of Babylon” by Anna Arbor. 1987. Saftey fence & Surveyor’s ribbon, woven and knotted.
Right: “The Neighborhood Nuisances” by Beth Holyoke. 1987. Ripstop Nylon & Applique.

FiberArts. November/December 1989.
Lillian Elliot

FiberArts. November/December 1989.
(An advertisement.)

FiberArts. November/December 1989.
Top: “Leopards” by Jean Hewes. 1988.
Bottom: “Edmond’s Fast Food” by Chris Wolf. 1989.

FiberArts. January/February 1982.

FiberArts. 1980, No 6.
Katherine Westphal.

FiberArts. March/April 1982.

Left Page: “Rose of Fire” and “Movement of Red” by Akiko Kotani.
Right Page: Carol Mecagni

FiberArts. 1979.
Pam Patrie.

FiberArts. 1980, No 6.
Judith Poxson Fawkes.

FiberArts. 1981, No 2.
Anne McKenzie Nicholson.

FiberArts. March/April 1982.
Machine-Knit garments by Betsy Lahaussios, Mickey Nushawg, Susanna Lewis, Jean Williams Cacicedo.

FiberArts. March/April 1982.
Left: detail of “Four in One” by Carole Beadle.
Right: detail of work by Lia Cook.

FiberArts. March/April 1982.
Large picture: “Gingko Grid” by Diane Itter.

FiberArts. Summer 1990.

FiberArts. Summer 1990.

FiberArts. 1980, No 6.

FiberArts. November/December 1982.

FiberArts. November/December 1982.

FiberArts. January/February 1983.
Top Left: Man’s Robe. Turkestan.
Top Right: “Charles Patless” by Pat Oleszko.
Bottom: “Stop and Go Dress” by Cynthia Pannucci.

FiberArts. January/February 1983.

FiberArts. January/February 1983.
Left to Right, Clockwise (Artists, not pictured): Jocelyn Turner, Judith Content, Judith Stein, Norma Rosen.

FiberArts. January/February 1983.
Clockwise from bottom left (artists, not pictured): Cate Fitt, Fraas/Slade, Yvonne Porcella, Ellen Haputli, Dina Knapp.

Nance O'Banion

Nance O’Banion

Harmony Hammond

Harmony Hammond

FiberArts. 1980, No 6.

Bonnie Meltzer with two of her crocheted yarn hangings, "Middle Aged Date" and "Man Eating Spaghetti"

Bonnie Meltzer with two of her crocheted yarn hangings, “Middle Aged Date” and “Man Eating Spaghetti”

Betye Saar

Betye Saar

FiberArts, Volume 1. 1980.

FiberArts. 1981, No 2.
“Moma and Nana” by Faith Ringgold.

Plaid Shirt by Deborah Kaufman, Felted Wool, 26 x 36 "

FiberArts, Volume 1. 1980.
Plaid Shirt by Deborah Kaufman, Felted Wool, 26 x 36 “