Album
Album
February 1970-January 1971
(12 issues; missing #4 & #8)
Album was published in London from 1970 to 1971. Its editor was Bill Jay.
It was a magazine of photography’s incursions.
Every page is black and white. No ornament, austere blocks of text. The effect is like drawing a curtain, or dimming the lights in a theater, only without the direction dictated by film, leaving you free to wander.
There are no advertisements.
Its concern was the actuality of practice. Old essays followed new talents in a critical space where “art photography” was as ludicrous a term as “art painting,” and what appears easy and available as a technology is, like any artistic practice, much more fugitive and essential.
Duane Michals, Issue #7
Issue #1
from “On Being a Radical Photographer,” an interview with Blankfort, Issue #1
W. Eugene Smith, “Black Man’s Battleground,” Issue #2
from Issue #2
W. Eugene Smith, “Mailbox,” Ku Klux Klan series, Issue #2
from Press Cuttings, Issue #2
from Quotes, Issue #1
Gordon Bennett, “San Francisco,” Issue #11
from Opinions, Issue #1
Bill Brandt, “Friar’s Bay,” Issue #1
from Opinions, Issue #7
Manuel Alvarez Bravo, “Luz restrida,” Issue #9
from John Thomson’s “Illustrations of China and its People,” Issue #9
George N. Barnard, official photographer to Sherman’s Campaign, Issue #7
Harvey Himelfarb, from the Visual Dialogue Foundation portfolio, “Premonitions of a Tyranny of Culture,” Issue #10
Posted on October 20, 2014, in Periodicals, Photography (Periodicals) and tagged 1970's, Album, bill brandt, Bill Jay, duane michals, george n. barnard, gordon benett, harvey himelfarb, jeffrey blankfort, john thomson, manuel alvarez bravo, photography, w. eugene smith. Bookmark the permalink. 1 Comment.
SVA Library Picture & Periodicals Collections 
Reblogged this on jetude and commented:
excellent resource