Category Archives: Picture Collection
ADVERTISING – FOOD – 1862-1939
1862-1939 is our oldest subcategory of sustenance and taste sensation advertising. Thereafter the subdivisions are broken up by decade: 1940-1949, 1950-1959, 1960-1969, 1970-1979, 1980-1989, 1990-1999, 2000-2009, 2010-2019.
It is astonishing how text heavy ads from this time period were. Only the legalese of drug advertisements warnings have as much text these day. Our oldest food ad (it’s actually a book that instructs you how to better grow food) from 1888:
From the Youth’s Companion, 1898, we have a Quaker Oats ad that pre-dates the formation of the Quaker Oats company (which formed in 1901–until that time it was called the Quaker Mill Company). We also have an ad for Beardsley’s Shredded Codfish which leverages the abstentions of lent by letting the devout know that they can still indulge in a delightful dish of fish cream and fish balls.
Also from the Youth’s Companion, 1898, is this romantic little Wheat Germ ad:
I do not have exact dates for the following four ads, but I guess they are from approximately 1900.
“This four year old girl was raised entirely on Eskay’s food.” & “For Infants and Invalids.” This is so very sinister:
I am John Mackintosh the Toffee King, and just as the moon controls the tides, I control your children:
From 1901, this may be the ugliest ad that I have ever seen:
We have many Libby’s ad from different time periods. This one, from 1904, I believe is our oldest:
I remember deviled ham sandwiches (as if I were Joe Brainard). I didn’t care for them as a child, but I could really go for one right now. 1924:
1930’s (ca):
1930 era Pep cereal depicts the boy of the house usurping the man of the house (not pictured) to the great adoration of the woman of the house.
The bread diet, 1939!
And finally, also from 1939, a comic ad for All-Bran featuring “The Regulars” sharing a page with a fencing baby.
Magazine Covers 1960-1969
We continue our look at magazine covers throughout the decades with a diverse smattering from the 1960’s. We start off with some teen magazines (teen magazines, much like the teenagers, were invented in the 1950’s and really came into their own in the 1960’s).
We have many nice film magazine from the 1950’s forward, here are a few:
The French sure love their cinema.
An early edition of L’Esprit Créateur: The International Quarterly of French and Francophone Studies.
A couple titanic Fortune Magazines (of which we have many from the 1940’s on).
A couple of our Graphic Design and Art covers:

Art International (1965) Photograph of Yaacov Agam's mural, Double Metamorphosis, on the S.S. Shalom, flagship of the Zim Lines.
A trio of the ever elegant Met Bulletin Covers:

Met Bulletin (October 1968) A North African Hanging from about 1600, woven silk with metal thread, 18 feet 8 inches x 4 feet 4 inches.

Met Bulletin (October 1969) Front (aka: right) The Thorn of Charity. Back: David with Two Musicians, and David and Goliath. Miniatures, enlarged three and a half time (per the original cover), from a psalter and prayer book made for Bonne of Luxembourg by Jean Pucelle, French. About 1345. Colors on parchment, 2 1/8 inches x 1 7/8 inches and 2 1/16 inches x 1 3/4 inches. The Cloisters Collection.
And an exceedingly shiny Harper’s Bazaar cover:
SK-SK-SK-SKELETONS!
Nestled gently between SIGNS & BILLBOARDS and SMALL TOWN AMERICA in our Picture Collection, SKELETONS boast about 100 items and is a good place to stop by for skeletal anatomy references, to contemplate your own mortality, or to find inspiration for the Scandinavian Black Metal album cover you’ve been hired to create.
See: True Norwegian black metal : we turn in the night consumed by fire in our book stacks.
A small sampling of our calcium-loving, rigid organs:

National Geographic, Vol. 202, no. 2 (August 2002). This skull was found in the republic of Georgia and is 1.75 million years old.

This is either a diagram of an "I can't believe I'm alive" story, or a diagram of how this guy got to be real dead.

The Three Skulls by Paul Cezanne. Canvas. 34.9 cm x 61 cm. This is a black and white Photo of a color version.
You can find a nice high resolution version of it on ARTstor.

A black and white detail of Hans Holbein's The Ambassadors. This anamorphic perspective skull is prominently hidden in the painting.
| Date | 1533 |
| Medium | Oil on oak |
| Dimensions | Length: 209.5 cm (82.5 in). Height: 207 cm (81.5 in).![]() |
Advertising – Corporate Identity, Industry, & Utility
After a hiatus for the summer, during which time the Picture Collection crew was very busy adding new content and new subjects, the blog returns to highlight one of the said new subjects: Advertising – Corporate Identity, Industry, & Utility. This subdivision of Advertising has the further chronological divisions of Pre-1950, 1950-1959, and Post-1950. These are advertisements that do not feature consumer products. Rather, like the descriptive subject heading tells you, they feature 1 of 3 things: 1) Corporate Identity advertisements, which mostly feature large corporations trying to cast themselves and their name in a positive, greater-good, type of light, 2) Industry advertisements, which are instances of one corporation or business trying to sell their techniques, expertise, equipment, buildings, and materials to other businesses and corporations, and 3) Utility advertisements, such as Water Works, The Electric Company, and the Pennsylvania, B&O, Reading, and Short Line Railroads. We have hundreds of these advertisements, most of which we added this summer, and most of which are from 1950 ear Fortune Magazines (hence our chronological subdivision featuring the 1950’s and everything else).
As I examined these advertisements, I noticed one, odd, and I must say, disturbing trend: Giant Hands. Giant Hands with jet airplanes escaping their grasp like an insect, giant hands lifting up buildings, giant hands revealing a factory under a giant basket. Modern man, whilst fashioning better living through chemistry and science, had also become literal Titans, moving factories and cities with their giant, vascular hands. Sometimes we get the whole body, but often it’s just the heavenly hands swooping in and arranging our reality. Following is a sampling.
“The People of Union Carbide created the jet-piercing flame processes” and their advertising agency created this monstrous, pork-sausage fingered, witch-green poisonous gas emitting hand violating the earth.
Delco Radio, “With productive manpower bigger and better than ever before…”
“Do you level mountains?” Well, you need Baldwin-Lima-Hamilton, and this guy (but for goodness sake, could you put on a shirt?). 
Scientific torture tests as surrealists’ wet dreams…
More dumb strength from BLH.
And finally, the mastermind behind it all, Dr. Manhattan’s red brother, Dr. Jersey City.
Magazine Covers — 1940-1949
Tricolor is the English language edition of La France Libre, a French anti-Nazi publication that began in 1940. Here is the first page of an article about the magazine’s origins. Below we have the cover for the celebratory July-August 1945 edition.
Surgery assistance by glowing neon letters, RN from 1943.
Free World: A Non-Partisan Magazine Devoted to the United Nations and Democracy featuring both a 1940 dominant and 1945 submissive Hitler, illustrated by Luis Quintanilla.
Here is an interesting cover from a May 1946 Interiors magazine by Bernard Rudofsky, who you can find out more about in our books stacks:
Architecture without architects, an introduction to nonpedigreed architecture.
NA2430.R8
Lessons from Bernard Rudofsky : life as a voyage
This Met bulletin cover from January 1945 features their smart little logo on the back cover, a deeply saturated blue-green background, and a detail of a painting of Henry Fredrick, Price of Wales, and Sir John Harington, by and unknown painter of the British school. Dated 1603.
1947: the year of the midriff.
Another great Nature cover, February 1949. Illustration by Frederic Sweney.
And lastly, a textured, mysterious American Artist cover from January 1949. The photo is by Telberg-von-Teleheim and is titled “Mask of a Dream.”























































