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Mythology & Fairy Tale – Monsters & Devils
We continue our pictorial lead up to Halloween with a bit of the beastly. In the Mythology & Fairy Tale – Monsters & Devils folder you will find 93 images. Below we offer, like so many virgins on a satanic alter table, a sampling. Please enjoy the smooth electro stylings of the Electric Hellfire Club while you peruse them.

Old Rosicurian Order Illustration of Kabbalistic symbolism
Ritual America, 2012, by Adam Parfrey and Craig Heimbichner.

The Life Book of Christmas, Vol 2: The Pageantry of Christmas, 1963.
“Horror and Drollery are combined in this 15th century illustration of a miracle play. It depicts angels battling a band of devils for possession of the Castle of Faith.”

“Saint Anthony Tormented by Demons” by Martin Schongauer
From the Collection of the Metropolitan Museum of Art, Jacob S. Rogers Fund, 1920.

Scenes from the unreleased ending of The Phantom of the Opera, Dir. Rupert Julian, 1925.
Pictured: stars Lon Chaney and Mary Philbin
“The Phantom is redeemed by Christne’s compassionate kiss.”
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Cinefantastique
From the official Cinefantastique website:
“During a decade when many mainstream critics were dismissing THE EXORICST as sadistic pornography, and when Forest J Ackerman was filling Famous Monsters with puny puns (e.g., “A Clockwork Lemon,” referring to a malfunctioning robot in FUTURE WORLD), publisher-editor Frederick S. Clarke created a little magazine with a big ambition: to cover the genre better than anybody, and to do it with all the seriousness of Cashier du Cinema, American Film, or Film Comment.”
For anyone fascinated by sci-fi, fantasty, or horror films riding on big dreams and a tiny budget, Cinefantastique is a goldmine. The writers do not simply dismiss their subjects as many critics are apt to do with genre films, nor do they shower their subjects with praise as in a fanzine. Cinefantastique was composed with both the genuine passion of a devoted fan and the thoughtful insight of a critic, resulting in an engaging editorial. Interviews, critiques, and in-depth explorations of special effects and prosthesis are complimented by film stills and behind-the-scenes shots on every page. There are also fantastic full-color spreads throughout, framed by well-designed layouts and text. Feature articles are prodigiously in-depth and as such have left behind invaluable sources for research and admiration relating to dozens of seminal genre films. There are very few advertisements and most are beautifully painted film posters regardless, making the magazine all the more enjoyable to read.
In 2000, Frederick Clarke, publisher since 1970, committed suicide. Mindfire Entertainment bought the magazine, renamed it “CFQ” and entirely remodeled its approach and aesthetic in an attempt to meet the demands of today’s consumer. In 2006 the last issue of CFQ was printed, and has been exclusively published online ever since.
In the periodicals section you will find 15 volumes of Cinefantastique beginning with the 4th volume, published in 1975, up until the final 2006 issue.