Blog Archives

Back in the Stacks: 1992

Since it feels like summer was decades ago, we took a look at summer decades ago; a sampling of our periodicals. It was hot. Once upon a time.

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Open the The New Yorker, what’s the first thing you see? The New Yorker, June 1992.

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Rappers in recovery. Alan Light, “L.A. Rappers Speak Out.” Rolling Stone, June 25, 1992.

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Still maybe an issue. Mad, June 1992.

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Walter De Maria and El Greco in Stockholm’s Moderna Museet, from “All Fives, Sevens, and Nines,” by Lars Nittve. Artforum, Summer 1992.

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Mad, June 1992.

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Danny Tisdale, Lynching 1930. From “Engendered Species,” by Kobena Mercer. Artforum, Summer 1992

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“On the Road to Kassel,” Artforum, Summer 1992.

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The hits. Rolling Stone, June 25, 1992.

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Novum, June 1992.

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More car ads featuring cops. Vanity Fair, June 1992.

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Before mixology. Rolling Stone, June 25, 1992.

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From an interview with George Condo, by Anney Bonney. Bomb, Summer 1992.

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Vogue, June 1992.

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Be thankful for lasers. Vogue, June 1992.

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Checking up on the crooks. Annie Leibovitz, “Watergate.” Vanity Fair, June 1992.

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Before Bill did it. Julia Reed, “Clinton on the Brink.” Vogue, June 1992.

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“Documenting Documenta.” Interview, June 1992.

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Fashion fish. Vogue, June 1992.

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It doesn’t stop. Interview, June 1992.

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And no one is pretending. Interview, June 1992.

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Religion. Vanity Fair, June 1992.

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From John Ashbery’s “Baked Alaska.” The New Yorker, June 29, 1992.

Magazine Covers — 1930-1939

From February 1930 we have some exceedingly (borderline illegible) Gothic type on an issue of Velhagen & Klasing Monatshefte. Velhagen & Klasing was a German publishing house, and this was apparently one of their journals. According to  http://www.burchfreunde.de, it was some sort of catch all humanities title with poetry, fiction, art, lit criticism, & etc.. I have included a detail of the middle (because I adore it), which features some Pisces fish, a very cute cat, and an explosion of cheer.

I find the next piece to be a sophisticated little piece of design, as well as a very telling artifact from the advertising community. There is a ghostly heard of identical consumers not only in cross-hairs, but also under the auspicious gaze of a giant graphic eye.

Starting in 1896, House Beautiful is the longest running “Shelter Magazine.”

We have quite a few Etude covers, an American music magazine, but none with gypsies as well dressed as the ones featured on this October 1930 issue.

As mentioned before, we have Travel covers from several different decades. I love the flourish of the v as it “travels” to the l. And once again, the depth of color is pretty astonishing.

A very clever illustration from Vanity Fair contrasting the fat cat 1920’s with the hobo 1930’s, utilizing newspaper stock market report cutouts.

And a very stiff-jawed Katharine Hepburn. We have a number of other Vanity Fair covers, do stop in and see them.

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